Abstract No .1 (Cathedral)

$2,000.00
  • Acrylic on Paper

  • 30” x 22”

  • 2024

This vibrant composition evokes the soaring verticality and luminous atmosphere of sacred architecture through pure painterly gesture and chromatic exuberance. Bold strokes of cobalt blue rise like pillars, their assertive presence tempered by lyrical passages of pink, salmon, and lavender that flow with liquid grace—suggesting light filtering through stained glass. At the painting’s heart, burnt orange and sienna create a warm, turbulent core where brushwork pulses with physical energy, pulling the eye through layers of overlapping color.


Chartreuse green commands the upper register and lower left, its acidic brightness creating dynamic tension against the blues while unifying the composition’s disparate elements. The paint application varies from thick, sculptural impasto to translucent veils where underlayers emerge, revealing the artist’s process of building and revising. A small gestural mark in dark umber at the bottom right provides unexpected punctuation—a moment of grounded notation amid the composition’s soaring color fields. The overall effect balances spontaneous joy with formal control, where each stroke asserts its independence while contributing to a harmonious whole that breathes with chromatic vitality and spiritual uplift.​​​​​​​​​​​​​​​​

  • Acrylic on Paper

  • 30” x 22”

  • 2024

This vibrant composition evokes the soaring verticality and luminous atmosphere of sacred architecture through pure painterly gesture and chromatic exuberance. Bold strokes of cobalt blue rise like pillars, their assertive presence tempered by lyrical passages of pink, salmon, and lavender that flow with liquid grace—suggesting light filtering through stained glass. At the painting’s heart, burnt orange and sienna create a warm, turbulent core where brushwork pulses with physical energy, pulling the eye through layers of overlapping color.


Chartreuse green commands the upper register and lower left, its acidic brightness creating dynamic tension against the blues while unifying the composition’s disparate elements. The paint application varies from thick, sculptural impasto to translucent veils where underlayers emerge, revealing the artist’s process of building and revising. A small gestural mark in dark umber at the bottom right provides unexpected punctuation—a moment of grounded notation amid the composition’s soaring color fields. The overall effect balances spontaneous joy with formal control, where each stroke asserts its independence while contributing to a harmonious whole that breathes with chromatic vitality and spiritual uplift.​​​​​​​​​​​​​​​​